min ([info]dreamlogic) wrote,
@ 2007-08-28 19:48:00
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Current music:mazzy star: mary of silence

mementos
I rode my bike to a store earlier for cigarettes. A couple blocks from there, I passed an old man with long grey hair on a bicycle. He turned and said something about his slow speed; I flashed him a smile and sped by. When I emerged from the store, he was there with a red rose he'd picked for me, saying "You have a pretty smile. You seem like a nice person." He headed inside, I biked away. It pleases old men often to flirt this way with young women; I find such encounters usually harmless and sweet, intended simply to brighten the days of both parties. I biked home and hung the rose on my mailbox. When it's withered, I'll throw it away.

When I was half the years I am now, I kept mementos of everything. From concert ticket stubs to birthday cards, to flowers dried and pressed between pages of books, whether from small encounters or grand escapades. I liked having them there to remind me, and it gave me a twinge to ever throw such mementos away, as if I was somehow betraying the reality of the events, somehow erasing their value. (Keeping a journal is different: I write to figure things out, not to remember.)

This kind of sentimentality is something else that's gradually fallen away over the years. On the last night that I was in New Orleans, a friend strung Mardi Gras beads around my neck. When I left the following morning, I deliberately left them on the bathroom sink. I don't need or wish for keepsakes; that it happened is enough. I do homage to the moment by being present within it.

When I am dead, scatter my ashes to the wind.




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[info]tebing
2007-08-29 08:31 pm UTC (link)
I do homage to the moment by being present within it.

This is why I've stopped carrying a camera around with me at all times.

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[info]dreamlogic
2007-08-30 01:59 am UTC (link)
Exactly. I still take a camera around sometimes, but forget to use it more often than not. Whenever I look at a photo that's supposed to have captured some genuine moment, I can't help but think about the person who's holding the camera and taking the picture, and how that must have affected the reality of that moment.

It's like the observer effect in quantum mechanics, no? That the observer changes what is being observed via the act/mechanics of observation. In my mind, there is no objective observer. Observation is in itself a form of interaction, though, I think, on a level of subtlety that allows for certain self-delusions of separation and detachment.

Even if it's a perfectly candid shot for those who are in the photo, I still think of the one behind the camera, who has detached him- or herself from the moment, who is involved yet not involved. (And you can do this without a camera. There are many ways to separate oneself. This is not in and of itself a positive or a negative thing.) The act of observation changes not only what is being observed, but the observer as well.

Ah, life.

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[info]tebing
2007-09-03 02:52 am UTC (link)
Well, that's essentially the human condition, isn't it, to always be simultaneously doing something and also observing oneself doing it, and then being aware of the act of observation, and so on. Indra's Net as a metaphor for human consciousness. I guess what's needed is balance between the two extremes of acting-without-observing and observing-without-acting, so that you don't get lost in an infinite regress of observers observing. And thinking of photography not so much as a way of preserving "genuine" moments (whatever those are), but instead as an artform which just happens to use more iconic representations (due to the nature of the medium) than other visual arts.

But yeah, I didn't like so much the detachment I felt when I carried a camera around with me. Like I mentioned here, it felt like there was an invisible camera lens always seperating me from the rest of the world.

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